Sam Abell’s forty-year career has been dedicated to achieving artistic expression through documentary photography. He has pursued his goals primarily through lengthy, in-depth assignments for National Geographic, where for thirty years he was a contract and staff photographer.
At the same time, he has maintained a career as an artist, teacher and author. Mr. Abell was a founder of the Santa Fe Center of Photography and has been a member of the boards of the George Eastman House, Rochester, NY and the University of Virginia Museum of Art. A one-person exhibit and monograph of his work at mid-career titled Stay This Moment was organized by the International Center of Photography in New York in 1990. In 2002 a traveling exhibit and monograph of his work titled Sam Abell: The Photographic Life was organized by the University of Virginia Art Museum. His other book credits include Seeing Gardens (2000) and The Life of a Photograph (2008).
His book, Amazonia, was published in January 2010 to coincide with a traveling exhibition of images organized by the University of Oregon Art Museum. The first installment of four books in the planned 16-volume publication of The Sam Abell Library was released January 2013 by Radius Books, Santa Fe.
ALL PHOTOS ON THIS PAGE COPYRIGHT SAM ABELLWebsite
with Sam Abell
Teresa Berg is a nationally recognized photographer and co-founder of Artists for Animals. She specializes in contemporary, artistic portraits for a sophisticated clientele. Additionally, she donates much of her time to animal and children’s charities.
Berg’s work has been featured on the CBS Early Show, CBS News Sunday Morning, The Today Show online, BBC Radio, The Dallas Morning News, The Toronto Star, Professional Photographer Magazine, Country Living Magazine, Reader’s Digest Magazine, Guidepost Magazine, Bark Magazine and numerous blogs.
She is a graduate of the Elkins Institute of Photography and a member of Wedding and Portrait Professional Photographers International (WPPI) .
Berg works full time from her studio in North Dallas. Samples of her portrait work can be found at www.teresaberg.comWebsite
Nancy Borowick is an internationally renowned photographer, author, teacher and speaker, delivering over 50 speaking engagements each year around the world, bringing her personal story to universities, hospitals, oncology units and community groups globally.
Nancy is a graduate of the International Center of Photography and has exhibited her work in over 100 cities world-wide. Working regularly with the New York Times since 2013, Nancy has told the intimate stories of people and places from every corner of the globe winning her major accolades and awards, such as World Press Photo, Pictures of the Year International and most recently the 2018 Humanitarian Award from the organization Women That Soar for her photography and recent monograph, The Family Imprint.
Over the last decade, Nancy has narrowed the focus of her work, telling stories of health, struggle and personal relationships, using compassion, humility and trust as tools to connect with and explore the lives of her subjects.
Her work has been featured in numerous newspapers and magazines, including National Geographic, Time Magazine, CNN, PDN, O the Oprah Magazine, Glamour Magazine and the Wall Street Journal. In 2019, she was invited to become a Sony Artisan of Imagery, as well as a Kickstarter Thought Leader and was recently elected to the trustee board of the International Center of Photography.
with Nancy Borowick
David has 40+ years of experience in the darkroom doing both monochrome and color film processing and printing. He’s been a wedding and commercial photographer and has worked as a full-time darkroom technician.
He taught high school briefly after college before being employed by a security surveillance company that used 35mm film. David maintained multiple cameras in over a hundred locations, designed an in-house darkroom for the company, and processed, printed and archived tens of thousands of feet of film. Now retired from his “day job” as an analyst for the Department of the Treasury, he maintains a working darkroom for personal work. While using state of the art digital for color, all black and white work is done with film and silver gelatin printing.
From 2006 to 2009, he worked with four other Texas photographers on the Texas Church Project: a collaborative effort documenting historic church buildings using film and darkroom prints. The TCP photographers exhibited multiple times and appeared in a segment of the “Texas Country Reporter” TV show. In 2014, David produced a group exhibition with work from seven Texas photographers, showing silver gelatin prints, platinum/palladium prints, and ambrotypes. In 2015, he completed a documentary project photographing historic pipe organs in Texas and surrounding states. This project resulted in two exhibitions and a book.
After a lifetime of landscapes, architectural and documentary work, David now seeks to create photographs that he first “sees” in his mind, rather than capturing a scene that he encounters and documents. As part of that process, David has moved into the studio, and is experimenting with still life, macro, and small abstract setups. He believes that one must never stop learning and moving forward!
University of North Texas 2007 (group)
Abilene Camera Club 2008 (solo – with presentation)
Jeanette Kennedy Gallery, Dallas 2009 (group)
Texas Tech University School of Architecture 2009 (group – with lecture presentation)
Cathedral of Saint Matthew, Dallas 2010 (solo)
Jeanette Kennedy Gallery, Dallas 2014 (group)
East Texas Pipe Organ Festival Archives, Kilgore 2014 (solo)
East Texas Pipe Organ Festival Archives, Kilgore 2015 (solo)
Hillary DeParde was introduced to the art of photography by her grandfather when she was seven years old, spooling her first roll of film in a dark closet while he coached her from the other side of the door. After twenty years of professional photography experience, she continues to use her grandfather’s old safe light and Kodak timers from the 30s — vestiges of her familial connection to the art of photography. With a mastery of manual cameras and darkroom printing, she specializes in film photography, creating classic and timeless portraits that have become a signature of her work.
Hillary also has extensive experience as an arts educator, teaching visual arts to both young people and adults in a variety of settings, ranging from private arts institutions to public schools. Her strength as an educator comes from her ability to draw on her visual arts degree, her skills as a working artist and her ability to guide students of all ages through the creative process. Sharing her love of the art, science and magic of film photography has been her most rewarding teaching experience.
Hillary has two grown children and helping them navigate their early years has helped to make her a more effective and engaging teacher.Website
with Hillary DeParde
Lisa Elmaleh’s work is a photographic exploration of rural America. Elmaleh is an analog photographer living in Paw Paw, West Virginia. She is a traveling educator, often teaching wet plate collodion workshops out of the back of her truck for various workshops across America. Elmaleh’s Everglades work was published as a monograph (Everglades) in 2016. She has been awarded the Aaron Siskind Foundation IPF Grant, PDN’s 30, the Ruth and Harold Chenven Foundation Grant, the Tierney Fellowship, and The Everglades National Park Artist Residency. She teaches at the Penumbra Foundation in New York City. Her work has been exhibited nationally and internationally. Elmaleh’s work is in the collection of the Norton Museum, the Ogden Museum, and other private collections worldwide.Website
with Lisa Elmaleh
Terra Fondriest is a documentary photographer living in the Ozarks of Arkansas with her husband, 2 children, 3 dogs, cat and 25+/- chickens. After halting her former work life as a US Forest Service hotshot firefighter, wilderness wrangler for a Montana outfitter, and BIO tech for the National Park Service, she began her journey as a mother in 2011 at the age of 27. Terra had always had an interest in photography, but having her first child brought that hobby to the next level. She started documenting her growing family at their remote home in the hills and her passion for visual storytelling was ignited.
While Terra has a background in Natural Resources, with a B.S. in Fish and Wildlife Conservation from the University of Illinois Champaign-Urbana, her education in documentary photography largely began by being an active participant in the National Geographic Your Shot community. Between that and other self-study methods, she’s constantly pushed herself to tell better stories. When it was time to move beyond learning at home, she applied to the prestigious 69th Missouri Photo Workshop that was held in Eldon, MO in 2017. Participating in that workshop gave her the confidence to move beyond photographing her family and start telling the stories within her community. This was the beginning of her Ozark Life project where she is photographing the everyday lives of not only her family, but her friends and neighbors. The more people she meets, talks to, and photographs, the more Terra realizes that she is just at the tip of the iceberg with this project.
She’s also gone on locally to be a photography speaker and educator for Buffalo National River and other Ozarks groups. Terra’s work has been featured frequently with the National Geographic Your Shot community and she is a member of the highly esteemed ‘Women Photograph’, where she is currently participating in a yearlong (2018-2019) mentorship. She is a frequent contributor and part-time curator for the EverydayRuralAmerica project. Locally, she helps organize the NW Arkansas Senior Project (which provides local underprivileged high school seniors with free portraits) and photographs animals for the Ozark Humane Society. While Terra has taken on some small local assignments, mom and homesteading life takes most of her time, so her Ozark Life project is something she is able to realistically chip away at as the days with her little ones fly by.Website
None scheduled at this time.
with Terra Fondriest
Scott Hilton is a Senior Lecturer in Photography at the University of Texas at Arlington. He has been working in photography for over 30 years, concentrating for much of that time on various alternative photo processes. His work has been exhibited in numerous galleries and museums across the US, including the Center for Fine Art Photography in Fort Collins CO, Soho Photo Gallery in NYC, the Vermont Center for Photography, the Rhode Island Center for Photographic Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, TX, and at Beefhaus Gallery in Dallas. Scott, along with photographers Bryan Wing and Whitney Daude, is part of Project Barbatype.Website
None scheduled at this time.
with Scott Hilton
Ed Kashi is a prolific photojournalist, filmmaker, speaker and educator dedicated to documenting the social and geopolitical issues that define our times. He has covered topics as diverse as the impact of oil in Nigeria, the protestant community in Northern Ireland, the lives of Jewish settlers in the West Bank, the impact of an aging society through his groundbreaking project, Aging in America, climate change, the plight of Syrian refugees, and the global epidemic of Chronic Kidney Disease among agricultural workers. A sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. A member of VII Photo Agency since 2010, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.
His early adoption of hybrid visual storytelling has produced a number of influential short films and in 2015 he was named Multimedia Photographer of the Year. Kashi’s embrace of new approaches to visual storytelling has led to creative social media and printed projects for a range of clients including National Geographic, Open Society Foundations, The New Yorker, MSNBC, GEO Germany, Fortune, Human Rights Watch, International Medical Corps, MediaStorm, NBC.com, New York Times Magazine, Oxfam, Robert Wood Johnson Foundation and TIME magazine. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to of the moment Instagram coverage of Hurricane Sandy for TIME Magazine in 2012, Kashi continues to create powerful imagery and engage with the world in new ways.
A leading voice in the photojournalism world, Kashi frequently lectures on a wide range of topics for arts institutions, universities, schools and professional organizations. His work has been published and exhibited worldwide, receiving numerous awards and honors. Through his editorial assignments and personal projects Kashi has published eight books, including Curse of the Black Gold: 50 Years of Oil in the Niger Delta, THREE, and Photojournalisms.
In 2002, Kashi founded Talking Eyes Media in partnership with his wife, writer + filmmaker Julie Winokur. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues. They are currently engaged in a 5-year storytelling project with Rutgers University in Newark focused on immigration for which they recently received a two year grant from the National Endowment for the Humanities. Kashi is also on the Board of Directors of the Catchlight Foundation.Website
with Ed Kashi
Noel Kerns is a Texas-based night photographer who specializes in capturing the abandoned landscape of the American southwest. Growing up in the central Texas Hill country, he developed his photographic skills shooting large format black & white landscapes. The slow and deliberate nature of the large format photographic process was a perfect launching pad into the art of digitally photographing the nocturnal world.
About Noel’s book Nightwatch: Painting With Light
(Noel is happy to sign copies of the book brought to the workshop)
“When people look at these images for the first time, they’re often simultaneously compelled and confused by what they see”, Kerns says. “They’re drawn to the mysterious, sometimes spooky quality the images often exude, but they‘re also usually curious about how the effects in the photographs are achieved. It’s fun to explain the process to both photographers and non-photographers alike, and to watch them as they try to comprehend the technical and physical processes associated with this style of photography.”
Kerns has a deep appreciation for the legacy these decaying, abandoned places leave behind. “I enjoy exploring and photographing these old places. I’d like to think that I’m taking these once bustling but now discarded locations and am dressing them up for one last night…making them look their best for a final portrait, if you will, one by which we may remember them forever after they’ve collapsed or been demolished to make way for the future.”
None scheduled at this time.
with Noel Kerns
Richard trained in photography and sculpture at the University of New Mexico. While mastering the technical aspects of lighting he has retained an artist’s understanding of subject and context. His commercial work is photographing hospitality, food & beverage, architecture and people in paradise for clients like Disney, Hyatt International, Intercontinental, Rosewood, Shangri-La and Sheraton Grand.
Richard has logged over 5 years of assignments shooting and directing crews in the US, Asia, Africa, Europe and the Caribbean, “I strive for an understated elegance in the images, if the viewer has the experience of actually being in the space in their mind’s eye and not noticing the photography, I have done my job well.”
He was an early adopter of digital imaging which has led to a deep understanding of the process. Richard says he feels fortunate to have lived through the digital revolution and had time to absorb that universe slowly, layer upon layer. Though he does confess that he works hard to make his digital files look like the 4”x5” transparencies he loved for so many years.
Richard is committed to passing on the craft and joy of image making by teaching classes and workshops at the Dallas Center for Photography, University of Texas at Arlington, the University of North Texas, Texas Woman’s University and as a contributor to lynda.com. “Learning is a process and I see myself as a lifelong learner continually taking on new subjects, being in a state of Beginners Mind. My commitment as an educator is to share complicated material in a way that is easily understood by the student regardless of their experience level. My approach is of mutual respect, honoring the knowledge and experience of everyone in the room.”
Richard joins his wife, fine art photographer and artist bookmaker, Susan kae Grant in supporting and participating in the visual culture of Dallas and New York. Frequently collaborating and always discussing ideas and approaches in the art making process makes them a great team. In addition to photography Richard has recorded ambient sound around the world that he uses in sound design for his animation and motion work.
Christopher Lee is a Korean American photographer based in New York City. Chris is particularly drawn in his work around issues of forced migration, subcultures and vulnerable and underrepresented communities.
Chris Lee’s editorial clients include The New York Times, The New York Times Magazine, The New Yorker, Bloomberg Businessweek, Glamour Magazine, Bloomberg News, MSNBC. He has worked for various NGOs and aid groups such as the World Vision, Bloomberg Philanthropies, Robinhood and Ground Truth. Among his corporate clients are Back Country, Oakley, Cannondale, Specialized, and Rapha.Website
None scheduled at this time.
with Christopher Lee
Kirsten is a documentary family photographer based in Denver, Colorado. However her work takes her all over the world, from New Zealand to Dubai, Brazil to Canada, Italy to Hawaii. Although she has been shooting for more than 20 years, it was teaching on Creative Live that really brought her approach to documentary family photography to the forefront as a desirable alternative to the traditional family portrait.
Currently, she divides her time between mentoring, private commissioned shoots, commercial work and personal projects. Despite the many accomplishments including being regularly featured on the Huffington Post, it is her role as a mother and wife to her daughter Byrdie Mae and husband street photographer Gregory Bethmann that brings her the most pride and joy. Well that and any Scrabble victory, which are countless.
None scheduled at this time.
with Kirsten Lewis
Patrizia Montanari was born and raised in Milan, Italy. Growing up she was surrounded by the love of a large extended family – uncles, aunties and cousins whose lives all entwined daily. She has many blissful memories of long, hot summers altogether in the south of Italy surrounded by art and beautiful food.
In 2002 she began traveling and experiencing a world outside of Italy, living and working in a number of cities including New York, Amsterdam, Los Angeles, San Francisco and Dallas until early 2017 when she made Portland, Oregon her home along with her husband Mark and two young children, Lucy and Johnny.
Patrizia has experienced and created art all of her life. In the last 10 years her love for portrait and figure painting naturally evolved into a love for photography. Taking photographs quickly became an obsession and a new way to express her creative side. Portraits are her passion and people are her biggest inspiration. Patrizia’s Photography business quickly grew a strong client base through word of mouth, working on a wide range of projects, from portrait to fashion lifestyle, product and food photography to name a few.
In 2018, her entrepreneurial spirit, love of fashion, design and photography all came together when she launched her very own clothing line, Patrizia Montanari. A gender and size free collection that embraces modern, and simple silhouette with a minimalist approach. An inclusive range for all body shapes and personalities.
Patrizia teaches photography workshops at Dallas Center for Photography and she is also available for individual tutoring.
A visual storyteller, she hasn’t abandoned her passion for travel, and continues to showcase her adventures on Instagram, mostly with the help of her family and her perfect travel companions, her Fujifilm X100T, Nikon Z6 and of course her iPhone!Website
with Patrizia Montanari
Steve has over 30 years in film production and media creation and is known for his depth of knowledge and willingness to share his experience with others. Steve ran his own commercial production company whose client list included American Airlines, Garmin, Paramount Amusement Parks and numerous food and big box stores as well as banks, non-profits and hospitals.
He was a top selling contributor to Getty Images in both still and motion collections and ran a successful still portrait business with an emphasis on high quality images and deft retouching. He has extensive experience photographing flat and 3D art for Heritage Auctions and other clients. He is the inventor of the patented EyeDirect Focusing System product, used by hundreds of producers and camera people around the world.
Steve has a well known MacGyver-like skill for solving on-set challenges with inventive trickery and hacks. Sage advice came to him as he traveled to a Tokyo shoot with a seasoned cameraman who told him, “If you want to shoot…. You have to know how to light, if you want to direct… you have to know how to edit”. He carries that philosophy to all post production, still or motion, which he sees as an inherent part of the digital creation process, not just something to be used to fix “bad” images or sequences.
In the motion picture world, Steve has edited on everything from a 35mm KEM, Steenbeck, Moviola, Showchron, EMC2, Razor, Avid and ¾” linear editing systems. Today, Steve uses the Adobe Creative Suite daily and jumps back and forth between Premiere, After Effects and Photoshop.
Steve feels that both his directorial and editing talents will apply nicely to teaching media creators/editors and photographers at DCP. His approach to teaching will be sympathetic to the creative/dyslexic brain!Website
Jim Olvera fell in love with photography while studying architecture and engineering at Washington University in St. Louis. He received a camera as a gift during his freshman year and spent every spare moment taking pictures or working in his dormitory’s basement darkroom. His interest in the process grew into a passion, so midway through his junior year he made it his major. He went on to become the first graduate of the university’s nascent photography department.
He continued to study design, too, thinking that this would be helpful to him throughout his career, and he worked as a graphic designer for a year in Dallas before turning full-time to photography as an assistant to commercial photographers. Working both in the studio and on location, he gathered a great deal of experience in a very short time, and at the age of 25 he started his own business. In the nearly 40 years since, his work has taken him all over the world and landed him in the Permanent Collection of the Library of Congress. It has introduced him to people that he never would have dreamed of meeting and given him more opportunities than he ever would have imagined.
Jim enjoys sharing his knowledge and experiences with others, and he’s worked with students at every level from middle school classes to graduate degree programs. Coming from a family of teachers, he understands what a joy it is to hear someone say, “Oh, now I get it!”
with Jim Olvera
Peter’s interest in photography started while attending an international high school in Athens, Greece where he often cut classes to spend time in the darkroom. His degree is in TV & film production with a minor in graphics and printing. He worked as an educational video producer for four years while starting to shoot stills professionally and building his portfolio.
In the early 80s he started freelancing with a specialty in travel and editorial photography. For the next decade or so he completed dozens of assignments for Smithsonian Magazine, Travel & Leisure, Food & Wine, Travel Holiday, Business Week, Time, Fortune, Forbes, Newsweek, The Dallas Morning News, WGBH and others. He also shot commercial and industrial work for small and large companies including Texaco, 7-11, CompUSA, AMEX and Fluor.
When his first child was born in the early 90s, he wanted to be closer to home so Peter backed off the location work, leased some studio space and started shooting indoors. For the next decade he was heavily involved in producing top-selling images for the stock photo business, shooting for Tony Stone Worldwide, which later became part of Getty Images.
Peter has owned The Spot Studio, Inc. since 1998 and started offering classes in 2009. Today, Dallas Center for Photography keeps him busy with teaching and finding other instructors to bring world class photographic education to Dallas.
with Peter Poulides
Alan Ross has earned an international reputation as a specialist in the art of black-and-white photography – as an artist, educator and master printer. He was Ansel Adams’ Photographic Assistant in Carmel from 1974 to 1979, and integrally involved with Adams’ books, teaching in Yosemite, and production of fine prints. Ross is the exclusive printer of Ansel Adams’ Yosemite Special Edition Prints, an assignment Adams personally selected him for in 1975. He makes each print by hand from Adams’ original negatives using traditional darkroom techniques.
As a photographic educator, Ross specializes in helping photographers at any level to realize and express their photographic vision. He has led workshops in Yosemite & across the United States, Ireland, Italy, Australia and China.
Ross’s tonally exquisite black-and-white photograph prints, painstakingly hand-crafted in the darkroom, are prized by collectors and hang in collections throughout the world.Website
None scheduled at this time.
with Alan Ross
Jennifer Spelman is a freelance editorial and documentary photographer based out of Santa Fe, New Mexico. She is a fluid traveler and is equally at home in rural villages and cosmopolitan cities.
A sensitive photographer of people, she strives to create images with energy and insight. Her clients have included Village Science, Seven Squared Media, The Heart Gallery, What Moves You, Sanjhi, and Sustainable Santa Fe.
Jennifer is a patient educator who has co-instructed with National Geographic Expeditions and taught workshops in Santa Fe, India, Mexico, and Cuba. She is thrilled to lead passionate photographers on ridiculously fun adventures around the world with the Santa Fe Photographic Workshops.Website
with Jennifer Spelman
HARVEY STEIN is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography. Stein is a frequent lecturer on photography both in the United States and abroad. He is the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan. He has also been a member of the faculty of the School of Visual Arts, New School University, Drew University, Rochester Institute of Technology and the University of Bridgeport. A recipient of a Creative Arts Public Service (CAPS) fellowship and numerous artist in residency grants, Stein’s eighth and latest book, Mexico Between Life and Death, was published September 2018 by Kehrer Verlag (Germany). Other books of Stein’s photographs are Parallels: A Look at Twins, E.P. Dutton (1978); Artists Observed, Harry Abrams, Inc. (1986); Coney Island, W.W. Norton, Inc. (1998); Movimento: Glimpses of Italian Street Life, Gangemi Editore, Rome (2006); Coney Island 40 Years, Schiffer Publishing, (2011), Harlem Street Portraits, Schiffer Publishing (2013), and Briefly Seen New York Street Life, Schiffer Publishing (2015). Stein’s photographs and portfolios have been published in such periodicals as The New Yorker, Time, Life, Esquire, American Heritage, Smithsonian, The New York Times, Reader’s Digest, Glamour, GQ Magazine (Mexico), Forbes, Psychology Today, Playboy, Harpers, Connoisseur, Art News, American Artist, New York, People, Der Spiegel, Die Zeit, The Hopkins Review (cover), Sun Magazine (cover) and all the major photo magazines, including Camera Arts, Black & White Magazine (cover), Shutterbug, Popular Photography, American Photo, Camera, Afterimage, PDN, Zoom, Rangefinder, Photo Metro, fotoMagazine (Germany), photo technique, Zeke and View Camera
Stein’s photographs have been widely exhibited in the United States and Europe—86 one-person and over 165 group shows to date. He has curated 64 exhibits since 2007. His photographs are in more than 57 permanent collections, including the George Eastman Museum, Bibliotheque Nationale, the Art Institute of Chicago, the Museum of Fine Arts, Houston, the Brooklyn Museum of Art, the New Orleans Museum of Art, the International Center of Photography, the Denver Museum of Art, the Carnegie Museum of Art (Pittsburgh), the Portland (Oregon) Museum of Art, the Museum of the City of New York, Museet for Fotokunst (Odense, Denmark), Musee De La Photographie (Charleroi, Belguim), the Portland (Maine) Museum of Art, the Corcoran Gallery of Art, the American Museum of Natural History, the Santa Barbara Museum of Art, the Addison Gallery of American Art, The New York Historical Society and Museum, and among others, the corporate collections of Johnson & Johnson, Hewlett Packard, LaSalle Bank (Chicago), Barclay Bank and Credit Suisse. Stein’s work is represented by Sous Les Etoiles Gallery, New York City.Website